Recently, I had a Discogs user contact me that he was unable to send me messages to my Discogs store. He would get a red warning: “User ____ has their contact form disabled.” It is an easy fix (for the recipient), but is not worded as such and difficult to find on the internet. To enable your contact form on Discogs (the recipient must):
Late last year QSC revealed a new series of speaker, the “CP” series, which touted the same QSC signature sound we would expect, in a more affordable and lighter incarnation. Now, plenty was written in anticipation but not many reviews have surfaced out there. Particularly, for my intended purpose, which is how does it perform as a speaker monitor for DJing (for mobile set ups) and maybe as a secondary solution to a full rig?
Now, I should not have to explain why a speaker monitor for DJing is important, but I find I have to all the time (lol) to: wedding planners, restaurant owners, brides and grooms, my girlfriend, sound-techs, and even other DJs (I thought we were in this together). The answer is simple: DJ’s need to hear what is going on, more than anyone else in the room in order to perform. It is not unlike any other type of musician/performer. Timing, volume, pitch, tempo are all factors that are important to DJs or at least should be. Digital DJing is definitely more forgiving in that respect, you can almost DJ with your eyes now but ultimately we need to hear what we are doing, no interpretation. That is why any DJ mixer worth its salt has at least one “booth out” output. Now, there are some cases, as a DJ, where you are positioned close enough to a speaker where you are, more or less, hearing it the same way your audience is. More often, however, you may not be near a speaker, it may be positioned away from you or perhaps you are isolated from your audience almost altogether. I remember playing an early gig with kQuattro (1/2 of the duo was Egyptrixx, now ACT!) and Crystal Castles (RIP) and I was playing in a closet (pretty much) before the kitchen with the speakers and audience in another room. Every time someone would come out of the kitchen I would get hit with the swinging door: how am I sounding? In a more recent example, I played the Design Exchange in downtown Toronto. Huge space! However, the audio vendor would not provide stage monitors. We are talking $300,000+ worth of equipment, but fair enough. Furthermore, the reality is DJs are often an afterthought to establishments. Their makeshift booths don’t consider the things that DJs need, including an adequate amount of space and a speaker close enough to hear what you are doing. In some cases, you may need to hear the music louder than your audience does to get the mix right, for example in a restaurant or playing a wedding reception.
So, having a monitor for DJing is invaluable. Personally, I kept holding out for a 8″ to 10″ speaker that was lightweight and could wedge (perfect for the urban DJ to jump in your car service with). You would be surprised how little options there are. For example, the Yamaha DBR10 and Yamaha DXR8 which sound great, albeit a more flatter-true to the sound response, do not set up as a wedge, otherwise they would have been a contender. The JBL EON610 is kind of ugly, if you want to use as a secondary P.A., and JBLs sound (in my experience) is just ok: loud but can get brash (convince me otherwise in comments). There is of course the QSC K8, which is not a bad option but because it is discontinued you may have to go secondhand (i.e. no warranty for an expensive item). Its newer replacement the K8.2 are a good option, but they are for many, a rather expensive indulgence for the main purpose of a DJ speaker monitor at almost double the cost of the CP8s. However, even in a city as “world class” as Toronto, being able to hear them in the flesh is tough, no floor models anywhere. So, I decided to take the plunge so you don’t have to.
It is of small stature and width but has a good weight to it. That is, enough weight to feel substantial but an easy pick up. There is no side handle but a top handle. Although, it should be relatively easy to take on an and off a speaker pole. The hard plastic (polypropylene) outer shell feels nice and solid. When you hear “plastic” you fear the worst but it feels solid, hopefully it withstands the test of time and doesn’t scratch easily. It is the perfect size for a booth speaker where space is often limited. Being able to set up 5 ways is nice: vertically on a tabletop; horizontally flat on one side or as a wedge on the other side; on a speaker pole (35mm); or they have a yoke / wallmount kit for installing to a wall. For the audio we have 3 inputs: two (x2) mic / line inputs; one (x1) 3.5mm input for a mp3 player and one (x1) xlr output to link the signal (post gain) to additional speakers. That is enough inputs to do smaller demo size setups or perhaps for weddings, small ceremony or a smaller reception room. Is it enough power though?
The QSC C9 boasts a 1000 watt Class D Amplifier, the same as its larger version the CP12. It does not have full control of the EQ rather it has six (x6) different EQ presets. On the first power up I would say it definitely met my expectations and surpassed them! This thing is loud with good clarity! As a monitor, placed facing towards me, I put the CP8’s volume at 8 o’clock (2 clicks) and 9 o’clock (2 clicks) on my booth output from the Pioneer S9 mixer and it was comfortable room-level listening and it only went up from there.
As far as the EQ setting I preferred the default setting. I got really good clarity (highs, mid, lows) testing a vinyl record. The more I turned it up, in the confines of my small studio, the more it scared me how loud it got (hello neighbours). The dance setting added more bass but I felt it was a little bit muddled (your audience will probably not know). However, I don’t really see that as its purpose, as full P.A. solution. I think this is best suited as a monitor; an additional speaker for filling up a room; or as tops with the addition of a sub (there are EQ settings that drop the bass on the CP8 to accommodate a sub). However, if your client is on a smaller budget maybe 2 of these in a small setting would be adequate.
As a speaker wedge on the floor by my feet, it performed well. It has a 90 degrees of sound dispersion, which makes it ideal for this use. I had this placed maybe a foot away from me on the ground and could hear it no problem. The speaker was more or less pointing at my lower torso but could still hear it. I would say ideally at around 2-3 feet away from where you are standing (depending on your height) it would be pointing directly at your ear.
Update: Recently, I used the QSC CP8 as a DJ booth monitor for a wedding (250 people, 30 foot high ceilings, a pretty big room and it did a great job. When I arrived, being unfamiliar with the venue, I had to walk around for a bit to find the room I was playing in but I did not break a sweat or my back carrying it around. May buy another in the future to see how it fairs for a P.A. with a subwoofer.
A more affordable QSC speaker that does not sacrifice sound.
Compact design that will fit most DJ booths.
Has a 90 degrees of sound dispersion, which makes it ideal for a wedge by your feet. Even at a foot away I could hear what I was doing.
Loud enough for small crowds.
Warranty is only 3 years compared to their usual 6 for other speakers. *Be sure to register online to qualify, otherwise it’s only one (1) year.
After a couple days of erasing duplicates tracks in Itunes on my maxed-out MacBook Pro (Retina, 13-inch, Late 2013), I started getting a weird anomaly. The tracks were gone but the space that should have been freed up wasn’t there. I was alerted to this when my OS kept warning me I was running out of space. But how could this be if I was erasing files? I tried the obvious and restarted the computer hoping it would eventually correct itself, but it essentially started crippling my computer as it became sluggish for lack of space. Rather than keep erasing mp3s I decided to back my library (and anything else of importance) and take my laptop to Carbon Computing on Queen St. in Toronto to get them to do a fresh install. Since, I was in the market for a new DJ controller, I figured why not upgrade to an OS that could fulfill my Serato Scratch Live and Serato Dj needs (which was Yosemite). The result of installing a new OS on my computer, it shed a 100 gigs of space on my hard drive. I am realizing this is sounding like a weight loss commercial but really though! The task I set out to do, which was more or less to free up my space to add a new OS, more or less happened backwards. So, I didn’t get to go through my entire library, but ultimately fate decided for me: its better to go through an edit your library as it happens than sit down and try to do the whole thing at once. Its a daunting almost impossible task to achieve if you have an extensive mp3 library. What is more, better quality version of songs come along all the time, so you are better off just erasing duplicates as you see them.
As part of of my ongoing blog posts regarding iTunes editing/cleaning from a dj’s perspective but could also useful to anybody who has extensive collection.
Once I knew I wanted to clean up my library and update my OS, my next question was:
Should I edited my library first before I update the OS or just add everything back after the OS and edit my collection later?
If things are time sensitive, ie you are burning to have that piece of gear or if you think editing your library may take forever, then you may want to move everything and edit your library. I decided it would better to go through my library first, clean house and then back it up and re-add everything after the OS update. In my mind, if I was going to go through the trouble of adding back my library, I was going to avoid adding back useless files after the update. Plus, freeing up space to make the computer run more smoothly can never be a bad thing. So, better to go through the library beforehand.
Now what is your best approach? The best thing to do is to look for unwanted files:
Bad Files (corrupted files, bad audio quality files)
Files you don’t play or probably will never play
I will go through each of these subjects as I progress. I am looking forward to going through my collection, making changes where I can and marking the progress. I will bring up the challenges as they come up.
“January can be the cruelest month for working DJs” (- a wise poet) once you get passed that holiday party blitz of December, which often culminates into New Year’s Eve. But for those that have a little (more) down time it presents an opportunity to “do stuff”. To get things in order. To not only take spiritual stock but to also take physical stock. So, for me I decided to take on the arduous task of cleaning out my Mac (a 2.6 ghz, Intel Core i5), which I use for djing. The mac which I have been using in professional and a personal capacity is at its… capacity (funny enough). The hard drive (1TB) is maxed out more or less, with about 10 gb left, which is unadvisable. In Serato, you begin to see weird activity: visual dropouts and slowness, which is unacceptable. Performatively, it can be stifling.
So, I figured why not take full advantage and update the OS as well and wipe the drive, start “fresh”. I figured its the sure fire way of getting rid of anything unnecessary (why do I have 100 gigs of “other” files in system info). Besides, I have been interested in getting a dj controller for gigging. I have always been a turntable guy, but carrying turntables these days seems overkill. Often, when you show up, there isn’t even enough room for them. Also, people’s expectations have changed. I could go over the pros and cons (perhaps in future blog) but now I digress. So, I am hoping to get a dj controller, however, a lot of the newer generation controllers require at least 10.10 (Yosemite), notably the Roland DJ controller series. Laugh, yes I am on 10.9. but I have always been of the mind: why update unless its for specific software or hardware? For the emojis? Plus, in light of recent news regarding Apples phones, I wouldn’t put it past them regarding their computers. They said they don’t but they weren’t so forthcoming about their phones. Anyways, I figure 10.10 shouldn’t be totally debilitating to my 4/5 year old mac.
So, this is the plan: to edit my library & update the OS. The process is going to take quite a bit of time, but I expect it to be an enlightening experience. So, I am going to do some blog posts regarding this and the issues raised as they come up.